Kusama obliteration room how to#
Kusama obliteration room series#

Fast Pass tickets are subject to availability. The obliteration room installed during ‘Yayoi Kusama: Look Now, See Forever’ 2011 / Yayoi Kusama, Japan b.1929 / The obliteration room 2002 to present / Furniture, white paint, dot stickers / Collaboration between Yayoi Kusama and Queensland Art Gallery.

Everyone in your party using the Fast Pass line into the exhibition must have a Fast Pass ticket.

Fast Pass tickets are valid only for the time printed on the Fast Pass ticket on the day of issue.

Fast Pass tickets allow guests to enjoy the rest of the Museum instead of waiting in line to enter the exhibition.

All advance timed tickets to Kusama: At the End of the Universe are sold out.

Questions about tickets or the experience? Email are “Fast Pass” tickets? Tickets may not be purchased online or over the phone. Fast Pass tickets may be purchased in person only and are based on availability: first come, first-served.

This exhibition features immersive works of art with capacity for only a few people at a time.

Kusama obliteration room how to#

► How to Experience Kusama: At the End of the Universe Kusama: At the End of the Universe-much like the MFAH exhibitions Soto: The Houston Penetrable in 2014 and Shadow Monsters in 2015-works with Cullinan Hall's soaring architecture to create an engaging experience and essential summer destination. TIME magazine named Kusama (born 1929) to its annual list of 'The 100 Most Influential People' for 2016. Further amplifying the experience as viewers pass through the room is a recording of Kusama's voice as she recites a love poem in Japanese, which echoes through the installation. Covered in the artist's signature polka dots, these soft sculptures constantly change color.

The glowing, tentacle-like forms of Love Is Calling shoot up from the floor and hang down from the ceiling. Visitors enter and stand in the center of the room, finding themselves enveloped by a seemingly infinite horizon and then confronted by an equally infinite void. Kusama's Aftermath of Obliteration of Eternity is an intimate space illuminated by an array of golden lights that ignite and then fade into darkness.

Kusama: At the End of the Universe unites two of contemporary artist Yayoi Kusama's signature infinity rooms. In summer 2016, the Museum’s Cullinan Hall transforms into an interactive environment for audiences of all ages. Texts include 'Hymn to Yayoi Kusama' by art critic and poet Akira Tatehata and a poem by the artist herself.► Looking for information about Aftermath of Obliteration of Eternity in the Kinder Building? Go here. Made of shiny stainless steel and featuring painted dots or dot-shaped perforations, these immersive works seem created on a human scale. The large garage doors of David Zwirner’s Chelsea gallery in Manhattan have been flung open to the street for Yayoi Kusama’s latest.

Kusama obliteration room series#

The catalogue also includes Kusama's recent large-format paintings from the My Eternal Soul series and a selection of new, large Pumpkin sculptures, a form that Kusama has been exploring since the 1950s. ApThe Obliteration Room, 2002present, Yayoi Kusama. Taking The Obliteration Room as its centerpiece, this catalogue reveals, in vivid large-scale plates, the transformation of the space from a clean white interior to a stunningly saturated room, with ceilings, walls and furniture covered in multicolored stickers put there by viewers over the course of the exhibition. Yayoi Kusama: Give Me Love documents the artist's most recent exhibition at David Zwirner, New York, which marked the US debut of The Obliteration Room, an all-white interior that viewers were invited to cover with dot stickers of various sizes and colors.